Hamlet Goes Business (1987)

Directed and written by: Aki Kaurismäki

A bizarre black-and-white film noir reworking of Shakespeare's 'Hamlet'. After the death of his father, young Hamlet inherits a seat on the board of a company controlled by his uncle that decides to move into the rubber duck market. But Hamlet is suspicious of the circumstances surrounding his father's death...

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I've read few plays by Shakespeare, and seen even fewer live, but Hamlet will forever remain my favourite. So, when we had to watch and analyse a Finnish film for school, I turned to my dad, because obviously I wanted to see something by Aki Kaurismäki. Even if we did these in groups, I kind of chose on behalf of the rest of my team. My decision was mostly based on always been interested in Hamlet Goes Business and having read and seen Hamlet live, well, a weird adaptation of Hamlet, I thought that might give me some insight to the film.

Like I wrote before reviewing Drifting Clouds, the actors in Kaurismäki's movies are very stiff. There's basically no emotion in the acting comparing to Hollywood movies. During Drifting Clouds I wasn't a big fan of that style, but it suits Hamlet Goes Business. It gives a certain contrast to the somewhat theatrical dialogue and the fact that this is based on a play.

Also I was surprised to see how good Pirkka-Pekka Petelius was as Hamlet. He's mostly famous for being a comedian in many sketch shows, and this is honestly the first serious role I've seen him play. Of course this is a black comedy, a spoof of Hamlet, so the role is still not entirely serious.

While I love most things about this movie, it's that ending that kind of bothers me. After seeing this film several times I'm already used to it, but it still feels very separate from the rest of the movie. It's added by Kaurismäki, which might explain that. I could go into lengths what bothers me about this, but I'd rather not make this review sound exactly like the analysis we did in class, and also I don't want to spoil you.

The music chosen for this movie is amazing. The classical music and rock music go very well together. Most of the time there's a great harmony with what we see and what we hear, but even when there's not, it' amazing. And oh, the cinematography... Weird angles and crooked shots are so great. And of course the whole movie being in black and white amplifies the whole feeling. With colours, it wouldn't be the same film.

Hamlet Goes Business is an amazing take on Hamlet, and a great satire on business world. While it's clear I will not like all of Kaurismäki's movies, I can appreciate his work and I'm glad I've found a favourite

☆☆☆☆☆☆☆☆☆

9 / 10

Little Evil (2017)

Directed and written by: Eli Craig

Gary, who has just married the woman of his dreams, discovers that her six-year-old stepson may be the Antichrist.

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I was browsing through Netflix when I found Little Evil, which had come out recently. It seemed like a fun horror comedy, perfect for the day, so I decided to watch it.

There are many things I like in Little Evil, but it doesn't go above average. Of course the idea isn't original, isn't this a play on very typical stories about kids who seem to be the spawn of Satan. Most of them are actual horror movies, though. Little Evil mixes that horror story with the theme of being a stepparent in a humorous way, which itself is fresher than the movie might feel when you read the summary.

But in the end the story doesn't go where you'd want it to go. Of course some of the plot points are good, and the movie is fun and light, and there's something very special about it. But in the end the only thing this movie ends up being is somewhat funny. Everything else is actually quite superficial, and let's be honest, the humorous side probably wouldn't be as good if you watched this movie several times.

So definitely worth seeing once, if you're not too serious for horror comedies, but that's all.

☆☆☆☆☆

5 / 10

Drifting Clouds (1996)

Directed and written by: Aki Kaurismäki

The recession hits a couple in Helsinki.

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We watched this movie in class, and our teacher has chosen this movie, because it's "easy to go forward and backwards" from this movie when talking about Finnish movies. I'm assuming it was referring to the time when this movie was made. Also another crucial factor in why we watched this movie is that our school has a permission to show this movie. Also we are supposed to watch Finnish movies because that's what we are going to be making in the future, and sometimes we forget or ignore our own movies.

I have never watched Aki Kaurismäki's films before, but I was already aware of his style. Cast is very stiff and acting is closer to underacting. It's a style, and it works, but it's not extremely realistic, since it sounds like how Finnish people talk in the morning when they're not fully awake yet, or how they talk to strangers. It sounds very reserved. Even though it can be painful to watch, it's very stylish and suits a film like this. And also the only reason why it can be seen as painful is because we're so used to the English way of dialogue and acting in movies.

Another almost painful thing is the cinematography. It's well made, and in theory thing are in the right place, but it doesn't look very pretty. Colours and things in the shot are almost ugly.

The pace of the movie is also very slow. Not much happens, yet it feels long, because it feels just an important to show a band playing than to process with the story. If you find the story boring, the slowness can be almost unbearable. 

But all in all Kaurismäki captures everyday life during recession well, and even if the acting can barely be called that, the story isn't emotionless. You feel for the characters and get annoyed by them. The story is almost boring because of the subject and the pace, but it's still easy for you to get into the story, and you can't just ignore what's happening, Maybe it's because the themes are close to many viewers, maybe it's just that well made that you hope for the best and fear for the worst.

☆☆☆☆☆☆

6 / 10